Emmy: Self-Titled

Below are the blog posts about the creation of the ball-jointed doll web comic, Emmy Self-Titled. The list descends from oldest to newest post.

• The Six-Month Update (that has nothing to do with Ultima) Part I
• The Six-Month Update (that has nothing to do with Ultima) Part II
• It's Finished!
• Emmy and the Ball-Jointed Dolls
• BJD Update
• Let The Pouring Commence
• Resin Success
• A Wig and a Torso
• Two New Faces
• Two New Polymer Bodies

Two New Polymer Bodies

Continuing from Two New Faces

 With new faces must come new bodies, right?

The crucial parts of a ball-jointed doll are the joints. For mine, I've been using wood beads. To accommodate the movement of the elastic through the joint, I've widened the bead holes into slits using a small bow saw.

 Initially, I made a mold from one of these modified beads, and cast a few resin replicas, but I ultimately couldn't justify the extra time, work, and resources when wood joints work just as well.

For the bodies, I've been using Super Sculpey. On these arms and legs (as well as Morgan's torso), however, some quickly-made terra cotta sculpey will do. At least, for the moment.

And here are the crudely-hewn but very useful new bodies for Saterlee and Morgan. Sans hands.

Two New Faces

I've got two newly finished heads to show you, from the BJD webcomic Emmy: Self-Titled.

The two most major characters besides Emmy herself: Dr. Mike Saterlee and Morgan.

Saterlee

Morgan, profile

Morgan

They've got finished bodies (except for Saterlee's feet...) too. All that remains is to put some paint and clothes on them and finish the set, and I'll have another few pages to put up on the web SOON.

A delay in Pleiades

Well, as those of you following the Facebook or Kickstarter pages already know, Pleiades has been on hold pending the arrival of the final proof in the mail. Yesterday I emailed Lulu (they request you wait up to six weeks before reporting an error) and let the know I hadn't yet received it. This morning I received an email apologizing for the wait and informing me that they were sending out a new copy today.
Finally... I'm really looking forward to being able to send this out! Hopefully it won't take more than another week.
Until then... we wait.

But in the meantime, it's time to continue work on Emmy.

I'm living in my parents' basement temporarily (so long to my lovely little house...), and have my workspace set up again. I want to complain about how hard it is to keep things up to date when I'm moving around like this, but I know the story of Lotte Reiniger, who managed to produce 12 of her revolutionary stop-motion paper puppet films in 11 years while on the run from the Nazis. So I can't whine. It's actually rather inspiring.

Thank you for staying tuned. I promise I'll have a worthy update for you very soon. I'm dying to show you the comic... it's going to be so cool (if I say so myself).

A wig and a torso

Now that my Emmy is officially a resin, ball-jointed doll, she needs some hair (and eyes... but we'll get to that).


I pulled from a few online tutorials and came up with the following:

It looked so pretty long, but I had to give her a trim.

I may make another one, as flakes of tacky glue are visible on this wig. The Nikon picks up every dust particle, so glue flakes will make Emmy look like she suffers from the Worst Dandruff on Earth.
Or I might let just her have dandruff. The list of things I need to do and fix before the next comic panel is complete just keeps growing...

Anyway, my male puppet is well under construction. Behold, the three-part torso:
Assembled

And disassembled

For the sake of efficiency (and getting this next panel done before Christmas), I may simply re-use Emmy's legs. He'll be slightly shorter than I originally intended, but it might be the best option at the moment. After all, it isn't only time that I'm running short on. Making new molds is expensive (especially on an ever-shrinking budget).

Watch out for more body parts, wigs, and -hopefully- CLOTHES.

Resin Success

At last, my darling Emmy is a resin, ball-jointed doll. She's seen many incarnations, but this one should be her (more or less) final form. It took a LONG time, but here she is:

 She isn't perfect, but I'm very pleased with how she turned out, especially considering this was all new to me. For the first time, I made a BJD out of polymer clay; for the first time, I made silicone molds out of all the parts (this was a particular challenge); for the first time, I poured resin. I'd call it a success.

In the interest of fairness, though, here are a few of her 'flaws.'

The resin didn't completely fill the mold on the abdomen (and a few other areas). I'm experimenting with different filling-in substances.

Her one upper arm is some weird-ass mutation that I'll need to completely replace.

Nonetheless, she is beautiful, if I do say so myself. Now, onto wig-making. ;)

Let the Pouring Commence

Last blog, I showed off my almost-ready Super Sculpey ball-jointed doll original (namely created for the comic "Emmy: Self-Titled"). She needed a few updates on her limbs, but otherwise, she was a functional puppet.
Here's the finished original:


The next step was to cast the parts, creating silicone molds so that I could then re-make the doll with resin.

This, predictably, did not go smoothly.

The online tutorials I used were great, but I somehow managed to buy mold release that didn't work. After a few very frustrated attempts to make a two-piece mold, a couple people on The Joint suggested I use Vaseline instead of mold release. It worked splendidly, and since then everything's been going well.

My lil' Lego mold. That's a forearm you're looking at.



Side one is complete.



I started to get a little creative with the configurations. I had only so many Legos, after all.


It took many molds (16 total), but my Emmy is finally ready to be cast. Behold:


Another noteworthy update: I've managed to secure myself a rather fantastic boyfriend, who is so supportive of my puppet-making endeavors that he's volunteered to be a studio assistant. He'll be coming over today to help me make my masterpiece. :)

Emmy and the Ball-Jointed Dolls

(Worst band name in a decade.)

After the completion of Emmy: Self-Titled's prologue, I found myself facing two facts. One was that I loved this project more than ever, and the other was that I had (unsurprisingly) not yet found a puppet I was satisfied with. A previous blog on the matter shows that I finally decided upon a working armature for the Emmy puppet, and I think it worked well for a 3-D comic. However, the puppets/dolls as they are don't stand up on their own and don't change positions fluidly -- two qualities needed for stop-motion puppets.

Although Emmy is an art project in its own right, since the time I decided to render it with puppets and scale sets, I planned to use it as a testing ground for stop-motion puppets. Now, long have I had my eye on the stunning ball-jointed dolls, but their construction looked so intimidating that I never attempted to create one. After trying about a dozen other puppet and doll types, however, I thought I had nothing to lose.

Not wanting to invest too much time learning how to cast in resin before I knew whether or not I'd like BJDs as puppets, my first attempt was in polymer clay. Loosely following this tutorial, I first carved the pieces out of styrofoam.


I then covered them in paper mache...

and finally covered that with Sculpey clay. When baked, the styrofoam shrinks away from the paper mache, leaving a hardened polymer shell.

Ideally.

But yet again, my clay burned and cracked in my toaster oven. :(



(This happens a lot. My oven's lowest temperature is 350. Sculpey and most polymers need to be baked at 275. For the past year I've had this appliance, I thought if I simply baked for less time, everything would work. I was wrong. There's no getting around the fact that you just can't bake polymer clays at a higher temperature.)

So I borrowed my parents' oven. Not wanting to risk an accident involving melting styrofoam, I sculpted new pieces from Sculpey, carefully hollowed them out, and baked them at the proper temperature.


The result was so successful that I then dared to try baking one styrofoam-based piece. It came out beautifully. I think I may have found my new favorite type of puppet.

It's Finished!

Now pretend I posted this two weeks ago when I posted this to Deviant Art.
(It doesn't really matter, though, if no one reads my blog. Right?)

Emmy: Self-Titled, Prologue

Thank you. :)

The Six-Month Update (that has nothing to do with Ultima) Part II

Continuing from Part One.

Once I had a working armature, everything fell into place quickly.
The wire frame is wrapped in poly-fiber filling (thank you, old pillow, for giving your life to this noble purpose), which is then wrapped in gauze.
For the hands and arms, I created a wire base,
and covered it with polymer and masking tape. Afterward (unshown) I trimmed, sanded, and painted them.


I made a head out of polymer and paper mache, and used the same wig I'd made for the styrofoam head (seen here modeled on an older polymer head).
I'd constructed a basic (but conveniently collapsible) set in Florida, and put the finishing touches on it back home in North Carolina.

Behold the collapsibility.

The furniture is made out of cardboard colored with pastel crayons. I may not be able to use them as an artist, but I think my artisan skills are definitely improving. There are advantages to not being able to get any worse.


The prologue to Emmy: Self-Titled is all but finished. I need only two more panels (which involve the creation of two more dolls, both of which are underway). The storyline has, I assure you, improved since it's conception way back in the bored and confused mind of a duel-enrolled college student sitting in a remedial math class.

If you'd like a sample, here's one from my Deviant Art account.
Or, if you'd rather not, I can just link to it.

The Six-Month Update (that has nothing to do with Ultima) Part I

One of my goals this year is to get into the habit of updating, so that I don't have storm waves of information to funnel into a single blog. As it is, this blog will simply need to be in two parts. It also has nothing to do with the updates I've been blogging about. That will be another blog entirely.

But first, a bit of back story.

Many things have happened since whenever my last post was. One is that I accomplished most of what I intended to before my April 1 deadline. Because I have no real, external deadlines for any of this, I decided I needed one. Sometime in January, I asked a close friend to hold me to a deadline of April 1, then four months away. I said I had everything I needed to do written down, and would be honest about whether or not I accomplished it, if only she would nag me about it every now and then.
The list was (taken directly from the index card in my weekly planner):

• Have a working website for The Disquieted Pen with fifty articles.

• Have a completed set and puppets for the next (non-Ultima) short, short film.

• Have 75 completed (on my end) comic panels and website (for Emmy: Self-Titled).

As always, things changed. The last item on my list was amended to read "working site and prolog." The explanation for this is in the actual blog part of this blog. However, I explained the situation to my deadline friend, and she granted her approval for the change.

I did get a working site, though with less than fifty articles. I still consider this a success, though, because I love the site and am so astonished I finished it and managed to get it to look good.

The completed sets and puppets for the other film did not happen, due to a few different factors, which are not related to this blog. The blog for that will come after the forthcoming (belated) Ultima update.

Now, onto the blog proper, explaining what the heck Emmy: Self-Titled is and why it's been taking up so much of my time.

The Six-Month Update (that has nothing to do with Ultima) Part I

Way back in my first years of community college (I was about 17, so seven years ago), I started writing a story about a girl who was an artificially created human being. I knew it was nothing original, and for the most part, it was just for fun. In the boring hours of remedial math courses at the college, though, the story began to grow and turn into something with actual characters and themes (boring college classes have given me so much free time for writing). After a while, the characters and idea began to take root in my brain, and for the next several years, off and on, I'd think about it, and scratch out ideas on index cards. It wasn't until senior year of college (a year and a half (?) ago) that I decided I really did want to do something with this story. I also decided it needed to be in comic book format, and when summer came around, I started sketching it out and tightening the plot.

I storyboarded and wrote more intensely on this story than I ever had before, and realized early on that I would need to learn how to draw if this was ever going to work. I drew and drew, my abilities improving at a very slow rate. Finally, I had figures I could live with. However, having no skill in (or really even a basic understanding of) perspective, the backgrounds all sucked. I kept going anyway.








To my great fortune, I learned that a friend of mine was a talented colorist, and after showing her my ink and graphite drawings, she agreed to color them (that's where the "75 completed panels on my part" comes from). But the backgrounds, which were so clear and stylized in my mind, really, really sucked. In frustration one day, I said "I might as well make minatures of everything and just draw exactly what I see!"

And that is what gave me the idea to do the entire webcomic in three dimensions.







Why not? I love making scale sets and puppets/dolls. It would look cool. More importantly, it wouldn't suck.

I apologized humbly and sincerely to my colorist friend, who didn't seem bothered, and told her of my change in plans. She encouraged me to go forward in my new direction.

I decided I would make the body out of my usual wire armatures and use polymer clay for the head and hands (and any other visible skin).

Simple. :D

My first head, which I really liked, consisted of a face on one half and the back of the head on the other. This way, I could switch out expressions without having to resculpt the hair for each one. I thought it was clever, but it didn't work. First of all, I didn't back the clay fully and it cracked. Secondly, even if it had worked, the clay was too heavy for the wire armature to support.

I hollowed the head out. Still too heavy.



At this point, I went to my first puppet armatures, which were heavier (this involved cutting apart my first puppets, but such is the nature of re-creation).

Behold, the carnage.









The heads were still too heavy.













Head after head, body after body, I could not seem to find a combination that worked.















In April, I moved from North Carolina back to Florida (where I grew up and lived before college). While there, I continued working on the project. My friend (and former mime teacher, with whom I was staying), suggested I try styrofoam for the head instead of clay, assuring me it would be easy enough to sculpt. I tried it. It worked.

I didn't like the way it looked.




In June, I moved back home. My grandmother suggested I use a thicker wire. Since the dolls didn't need to move gracefully (as they do for stop-motion), it wouldn't matter if I needed to use serious force to repose them. I followed her advice.

It worked. :D

For the conclusion, read Part II.